|
Rosenberg należy do nowego pokolenia muzyków chicagowskiej sceny improwizowanej.
Multi-instrumentalista saksofonów i klarnetów, gwałtowny improwizator
i eksperymentujący kompozytor. Rosenberg zadziwia nie tylko np. solowym,
pełnym dˇwiękowych możliwości koncertem na klarnecie kontrabasowym, ale
kieruje także dużymi orkiestrami, dyrygując swoje kompozycje.
Przez lata występował w całych Stanach Zjednoczonych i Europie w tak
renomowanych miejscach jak: The Knitting Factory, The Empty Bottle, Yoshi's
Nightspot, Jazz Em Agosto, Radio One Austria.
Współpracownik takich muzyków jak: Pauline Oliveros, Anthony Braxton,
Christian Wolff, Helen Thorington, Eugene Chadbourne, Fred Lonberg-Holm,
Glenn Spearman, Michael Zerang, Gino Robair, Kyle Bruckmann, Chris Brown,
Matt Ingalls, Brenda Hutchinson, Jeb Bishop, Luc Hautkamp, Ralph Carney,
Marco Eneidi, Maggi Payne, Tim Perkis, Toshi Makihara i wielu innych.
W ostatnim czasie Rosenberg otrzymał Special Assistance Grant
od Illinois Arts Council, czyli wsparcie w organizacji koncertów dla 25
osobowej orkiestry. Rosenberg pracuje także na gruncie popularyzacji muzyki
i środowiska chicagowskiej sceny poprzez pracę jako DJ dla WNUR (rozgłośnia
radiowa), prezenter w The Brick House, prowadzi także wytwórnię płytową
Barely Auditable Records.
Dyskografia:
Anthony Braxton, Six Compositions, GTM 2001 (Rastascan, Limited
Sedition, BAR)
$1000 a Second, Open Ear
Owe, Scott Rosenberg's Red, Cadence Jazz Records
Anthony Braxton/Scott Rosenberg, Compositions/Improvisations, 2000,
Barely Auditable
V, solo, Umbrella Records
One Liners, 198, duets w/ Shiurba, Limited Sedition
IE, for large ensemble, Barely Auditable
Spotted Dick, w/ Morgan Guberman, Gino Robair, Shiurba, Limited
Sedition
Meet Me On The Gastral Plane, solo, Limited Edition
Bubble and Squeak, w/ Robair, Shiurba, Limited Sedition
are, original compositions, Super J
Spearman/Eneidi Creative Orchestra, Music and Arts
Prasa:
O Rosenbergu:
Rosenberg has blossomed into one of the best creative saxophonists
in America, François Couture, All-Music Guide
Rosenberg's wide-ranging works
are rewarding both intellectually and
physically, offering equal parts humor and seriousness, complexity and
simplicity
[He] is following in the footsteps of artists as divergent
as noise act Merzbow and new music maverick John Cage, forward thinkers
who have organized pieces outside the formal construct of melody, Sam
Prestianni, SF Weekly
A master manipulator of saxes and clarinets, East Bay Express
Rosenberg spent most of 2000 busting his ass on behalf of a new generation
of Chicago workaholic improvisers.
Monica Kendrick, Chicago Reader
Rosenberg is a key player in the thriving improv and new-music scenes,
SF Bay Guardian
[Rosenberg is] a fine saxophonist with pinpoint control, (Neil
Tesser, Chicago Reader
O Rosenberg's Skronktet:
Groups like the Rosenberg Skronktet blur the line between jazz (or
open improvisation) and chamber music
.The cast deftly varied the music's
density and color from minute to minute... There was a lovely moment in
one raunchy episode when oboe and vibes emerged playing a scored snowfall
of pretty notes. At another juncture (improvised, I think), a melody was
passed in a blink from alto sax to Butters' slide whistle to violin to
oboe, a feat that sounded perfectly natural, even offhand. To pull off
such quiet stunts involves intense concentration and lightning reflexes
.Anyone
interested in how creative music develops will want to keep an ear on
their progress.
Kevin Whitehead, The Sun Times
O pracach solowych:
His versatility in interacting with himself is admirable. Chicago
Reader
Don't be surprised if Rosenberg disassembles his horn
and huffs into
apertures God never intended, bringing wind tunnels and hurricanes into
your previously sheltered cranium, Greg Burk, LA Weekly
SCOTT
ROSENBERG WRAZ Z ROBERTEM PIOTROWICZEM WYSTˇPIŁ 17.10.2001 W KISIELICACH
|
|